Leonardo sees through surface. He sees the channels, conduits, and capillaries that structure and animate the flower, the insect, the city the body, the earth. Leonardo sees a universal web of connections.
The Mechanical spring was a metallurgic innovation newly mastered in Leonardo's Renaissance. Leonardo foresaw its influence in clocks , crossbows and flintlocks, in wind-up cars and robots. If a device could have two states at once compressed and spring or stretched and recoiled, is it not emblematic of the universal energy that Leonardo's eye uncovered?
We asked artists to consider a box of wooden kitchen matches. These are at first the simplest and fullest expression of mass production convenience and uniformity. And yet they can ignite the imagination. These anonymous forms offer an infinitely variable armature for the creative mind.
Consider the spool and the cigar box. They are familiar and natural building blocks which give form to the first creations of children. They offer the experienced designer a universal geometry to explore.
Leonardo da Vinci’s Notebooks define the products and processes of design. Leonardo explores his world with the eyes of a Scientist; he reinvents it with the hands of an Artist. He directs students in architecture and landscape design, in fashion and theatrical design, in product design and graphic design: all of the creative expressions that surround humankind.
